To Lilliput & Back, Vol. 2

by Marcelo Radulovich

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1.
02:30
2.
3.
4.
5.
6.
7.
01:55
8.
03:24
9.
02:08
10.
03:38
11.
12.
13.
04:06
14.
15.
16.
02:14
17.
00:59
18.
03:16
19.
20.

about

The cassettes from the 80s and 90s have aged
wobbly, muddy, hissy stuff to play with
layer new tracks, mix, remix
aiming at a strange music flashing a unique palette
feel free to make a mess
Lo-Fi + Hi-Fi, mid-fi does not make
songs, soundscapes, experiments
old 4-track cassette recordings as the main source
51 minutes worth of original music which spans some 32 years, recorded in various parts of the world, California, Costa Rica, Holland, Chile, Japan.
re-interpreting old, unfinished songs
little recorded gems, hard to reproduce
in bedrooms many years ago
psychedelic, rich, musical, moody, fun
new words, new voices
after strange aural experiences
old and new

The album showcases Mr. Radulovich's multi-instrumental skills and also features guest appearances from various creative entities. Tijuana-based drummer Carlos Maria plays on three of the tracks, Marcelo's Nice World band mate Bill Ray plays drums on one, there's also a wonderfully hypnotic vocal performance from the musically gifted Tina Dei, and a couple of tracks showcase the computer music work developed at Red Tape Studio in Holland, with painter Max Springer and Ben Boe in 1994.

Recorded/produced by Marcelo Radulovich at Titicacaman Studio 2014. Drums on tracks 6, 10 and 16 recorded at El Rincón Studios, Tijuana México. Tracks 18 & 19 recorded at Red Tape Studio in Utrecht, Holland.

credits

released September 25, 2014

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about

Marcelo Radulovich California

Born in Santiago, Chile, raised in Costa Rica and CA, Marcelo is a musician / multimedia artist currently residing in Cardiff, CA, where he explores the fringes of art at his home base, Titicacaman Studio.

Marcelo has performed and/or collaborated with Me Me The Moth, Mike Keneally (Frank Zappa), David J (Bauhaus), japanese artist Haco, & many others. He currently performs with Nice World.
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